Jumat, 24 Agustus 2012

[C991.Ebook] Fee Download Moonwatch Only: The Ultimate Omega Speedmaster Guide

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  • Published on: 1800
  • Binding: Hardcover

Most helpful customer reviews

1 of 1 people found the following review helpful.
Sets the Standard for ALL Watch Reference Books
By Geeyung Li
Like most emerging watch enthusiast, I hesitated spending $$$$ on just a book. After all, why can't i just look online for the details and put that money towards some more sweet sweet wrist candy? Especially when this book is just about one watch? (Speedmaster)

Well let me tell you. You need to buy this book, because it will change the way you view other watch books. It will set the standard of what a good reference book SHOULD be. Let me give you some example:

This book not only goes through every single reference up to the early 2000's, but they also provide the accurate box, bracelets, and even what the correct PAPER WORK should look like for a specific reference. This book is so meticulous, that it's mindboggling how they even got this stuff categorized. It goes through every known bezel, caseback, and case variation. It lets you know which reference should have which variation of the 861 caliber. Did I mention everything has pictures? You get a visual of everything, often from multiple angles.

Get this book if you are at all serious about collecting watches. Because not only will it be a great tool if you're looking for a Speedy, it will also change your expectation of what a great reference book should be.

0 of 0 people found the following review helpful.
Own a Speedy? You must get this.
By Sinjen
You cannot own a Speedy and not own this book. The level of detail they put in this book makes graduate texts look like Green Eggs and Ham.

0 of 0 people found the following review helpful.
Five Stars
By Aline Forat
Great book

See all 11 customer reviews...

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Sabtu, 18 Agustus 2012

[B651.Ebook] Get Free Ebook The Mortgaged Heart, by Carson McCullers

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An absorbing look at the early beginnings of one of America’s finest writers, The Mortgaged Heart is an important collection of Carson McCullers’s work, including stories, essays, articles, poems, and her writing on writing. These pieces, written mostly before McCullers was nineteen, provide invaluable insight into her life and her gifts and growth as a writer. The collection also contains the working outline of “The Mute,” which became her best-selling novel The Heart Is a Lonely Hunter. As new generations of readers continue to discover her work, Carson McCullers’s celebrated place in American letters survives more surely than ever. Edited by McCullers’s sister and with a new introduction by Joyce Carol Oates, The Mortgaged Heart will be an inspiration to writers young and old.

  • Sales Rank: #1580818 in Books
  • Brand: Brand: Houghton Mifflin Harcourt
  • Published on: 2001-10
  • Released on: 2001-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .77" w x 5.50" l, .81 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

About the Author
Carson McCullers (1917-1967) was the author of numerous works of fiction and nonfiction, including The Heart is a Lonely Hunter, The Member of the Wedding, Reflections in a Golden Eye, and Clock Without Hands. Born in Columbus, Georgia, on February 19, 1917, she became a promising pianist and enrolled in the Juilliard School of Music in New York when she was seventeen, but lacking money for tuition, she never attended classes. Instead she studied writing at Columbia University, which ultimately led to The Heart Is a Lonely Hunter, the novel that made her an overnight literary sensation. On September 29, 1967, at age fifty, she died in Nyack, New York, where she is buried.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Gifted
By CICADA
I bought this book to give me an understanding of where she started from and also how she developed the deaf character in the book The Heart is a Lonely Hunter. I am really glad I did. It made me see that she was gifted but also that she kept at it. She didn't stop and she wrote short stories that I think were the building blocks to her writing novels.

I enjoyed learning about her and the critique of her teachers.

12 of 15 people found the following review helpful.
Usual McCullers Style
By Elizabeth Ewing
Mortgaged Heart is yet another example of Carson McCullers theme of spiritual isolation. You can feel the pain of each character. If you like McCullers as much as I do this is a great one.

0 of 0 people found the following review helpful.
Great for learning more about Carson McCullers
By Ufuk Tutucu
I have already had the collection of short stories. I bought this book just for the essays and articles and they are all great. The book gives some vast info about the author.

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Sabtu, 11 Agustus 2012

[H187.Ebook] Fee Download Bob Gill, So Far, by Bob Gill

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The definitive work of one of the most important and innovative designers/illustrators/teachers of his generation. Written and designed by Bob Gill. "The only way to tell which jobs Gill designed yesterday and which ones were designed years ago, is to look at the date. Styles come and go, but his ideas and teaching philosophy are timeless. That's why Bob Gill is one of the heroes that got me and so many others into graphic design in the first place." -Michael Bierut, Pentagram Design

  • Sales Rank: #1075678 in Books
  • Brand: Brand: Laurence King Publishing
  • Published on: 2011-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 1.25" w x 9.00" l, 2.91 pounds
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

About the Author
Bob Gill lives and works in New York, and lectures regularly on graphic design and illustration around the world. Among his groundbreaking publications are: Graphic Design: Visual Comparisons (1963), Graphic Design Made Difficult (1992), Graphic Design as a Second Language (2003) and Words Into Pictures (2009).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Bob Gill's Latest is His Best (so far)
By Mara Kurtz
Once again, Bob Gill hits a home run. This is his best book (so far).

As a Professor at Parsons School of Design, I've been using Bob's books in my Introduction to Graphic Design classes for years.

Bob has the remarkable ability to teach both experienced designers and students how to think.

This book focuses on how to develop a concept, the single most important lesson for every designer in every design specialty.

Bob's examples are simple, to the point, brilliant. His writing is funny, thoughtful, totally engaging.

He clarifies the approach to finding solutions for even the most sophisticated design problems.

My students tell me that whenever they are given a new assignment, the first thought they have is "WWBGD" (What Would Bob Gill Do?)

I often ask myself the same question.

0 of 0 people found the following review helpful.
recycle for fun and profit
By Chris Gargan
I am a great admirer of Mr. Gill's work and often tout his unique approach to problem re-definition. However, (and I will confess I did not read any fine print describing the content), it's nothing more than a greatest hits compilation. I don't think there's a piece in here that I don't have in one of his previous publications. And this is a profound disappointment. I mean, it ain't cheap, and he must have done something fresh since the last book.

Two stars 'cause I love his work, but three missing because I feel a little cheated. I guess Mr. Gill has to make money somehow, but he should make more of an effort than just recycling his past efforts.

0 of 0 people found the following review helpful.
Your first Gill book
By MovieFan123
Great survey of Bob Gill's work and his clever design solutions. I'm not actually a fan of Gill's illustration style, I find it too squiggly and childlike, but I enjoy seeing the way his mind works.

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Rabu, 08 Agustus 2012

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  • Published on: 2004-01-16
  • Binding: Paperback

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Features access to video tutorials!

Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, Freehand Drawing and Discovery uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.

  • Sales Rank: #144612 in Books
  • Brand: Richards, James
  • Published on: 2013-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .80" w x 8.50" l, 2.35 pounds
  • Binding: Hardcover
  • 288 pages

Amazon.com Review
Featured Content from Author Jim Richards [Click Images to Enlarge] Sketched on location while waiting for a bus in Belo Horizonte, Brazil. These delightful refreshment stops seemed to be everywhere in southeastern Brazil. Richards was particularly taken with the happy coconut drinks on the roof of this one. He used a Microperm 05 permanent ink pen and watercolor in a large Moleskine watercolor sketchbook. The line sketch and watercolor went very fast, about 20 minutes total.

Sketched on location in the Peruvian Andes. It was mid-afternoon, after many tourists had left. Perched on a boulder, Jim Richards used a Microperm 05 permanent ink pen and watercolor in a large Moleskine watercolor sketchbook. The line sketch took about 20 minutes; watercolor took another 20 minutes.

From the Back Cover

"The things we learn about our environment when we draw on location help us as we imagine, draw, and design the future."
—Francis D.K. Ching

While computer-aided design has changed the way designers explore and communicate their visions, freehand drawing remains an essential skill for capturing a flow of visual ideas and developing them on the spot. Freehand Drawing & Discovery takes an updated and practical approach to using hand sketching in a digital world, employing a "both/and" philosophy that shows you how to rapidly capture ideas with hand sketching that can then be further explored and refined using digital tools.

Created by an urban designer and blog correspondent for Urban Sketchers, this resource-rich, user-friendly guide provides step-by-step instruction on drawing tools and techniques. It offers practical suggestions on how to use freehand sketching skills in conjunction with digital tools on real-world projects. Freehand Drawing & Discovery:

  • Crosses disciplinary boundaries, from architecture, urban planning, and landscape architecture to the widely diverse Urban Sketching community
  • Covers sketching tools and techniques, location sketching, concept sketching, and digital sketching
  • Includes nearly 300 full-color drawings, including contributions by Michael Vergason, Kevin Sloan, Christine Ten Eyck, Luis Ruiz, Gabriel Campanario, Liz Steel, Kim Perry, Bob Hopewell, and a special contribution on digital design sketching by Robert Chipman
  • Features access to video tutorials in which the author demonstrates techniques for creating sketches from your imagination, on location, sketching on a digital tablet, and painting with watercolors

Freehand Drawing & Discovery is a must-have handbook for students and professionals in urban planning, landscape architecture, and architecture. It is also a rewarding resource for general artists, sketchers, and anyone interested in the Urban Sketching phenomenon.

About the Author

JAMES RICHARDS, FASLA, is cofounder and Principal of Townscape, Inc., an urban design consultancy, and an Associate Professor at the University of Texas at Arlington's School of Architecture. He is a national award-winning designer, writer, and illustrator whose work spans landscape architecture, town planning, and urban design. Mr. Richards is a blog correspondent for Urban Sketchers (www.urbansketchers.org), an international drawing movement. He travels globally conducting drawing workshops for both students and professionals.

Most helpful customer reviews

37 of 37 people found the following review helpful.
What a gem of a book
By Suzanne M. Smith
As someone who's always on the lookout for beautiful art books, I immediately responded to James Richard's book: Freehand Drawing & Discovery/Urban Sketching and Concept Drawing for Designers. It will definitely become one of my treasured art books in my personal library, and it's a book I know I'll return to again and again.

James' loose, confident, artistic style has long been a favorite of mine, and his book is just chock-full of beautiful sketches, insights into his methodology, drawing tips and lessons, and wonderful visual examples of his processes. Whether he's describing how to simplify complicated images before him, how to figure out vantage points and perspective, how to include figures in scenes, or how to create a sense of depth in landscapes, his examples are insightful and clear.

He also generously shares his pages with other artists who share his passion for sketching in the moment, and their beautiful images grace his pages while these artists also describe their creative processes. It's exciting to see that the artistic community is alive and well and living, as evidenced by the work displayed within these pages.

James also touches upon proficiency in design concept sketching as a springboard for merging freehand skills with digital representation technology.

As he says so well himself, "drawing offers a rewarding way of seeing and understanding the world." This book inspires and makes you want to pick up a pen, pencil and/or brush and have at it! Finally, the book even has instructions for accessing online tutorial videos! It's a wonderful reference book for anyone interested in art, or for those exploring their own creativity.

24 of 24 people found the following review helpful.
Inspiring book on sketching
By Parka
[[VIDEOID:mo3JW434N1HWIQR]]Freehand Drawing and Discovery is a book on sketching. Written by James Richards, a member of Urban Sketchers, the book is a collection of tips and insight on sketching.

The tips are practical and accompanied by many beautiful examples from the author and other guest artists. There are info on creating textures, drawing simple figures in perspective, understanding what can be added to make a good picture, etc.

It's not a totally hands-on tutorial book so you'll need to know how to draw first at a basic level. The book is more like a supplement to help you improve your observation and understanding of the scene.

There are various guest artists interviews with Michael Vergason, Kevin Sloan, Luis Ruiz, Gabriel Campanario, Liz Steel and others. They share their stories and experiences and you can understand easily why they are thrilled by sketching, and be inspired by them.

The latter chapters cover more experimental sketching, like using the Google Sketchup 3D software for reference, and sketching over photographs.

The book also includes more than an hour of helpful online tutorial videos.

It's an inspiring book. Highly recommended to everyone who sketches.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

19 of 19 people found the following review helpful.
Inspiring - Inspiring - Inspiring! For Designers and Amateur Sketchers Alike
By ChristineMM
I am an amateur artist who enjoys sketching and drawing and art journaling. I am not an expert or professional artist or designer, and do not pretend to be.

This book is in the category of nonfiction books which are published for professionals in a career field but which contain a lot of useful information and inspiration for amateurs as well. By this I mean, if you are an architect or designer and can use 100% of the content of this book, that's great for you, but amateurs may also read the book and get a lot out of it while not needing a certain portion of the book. That is okay with me; some amateurs (like me) would rather have information overkill and get the good from the book than to never have benefited from reading it. (Last week I came across the same exact situation for organic gardeners where the title and some of the content was geared toward professional landscapers but where 90% of the info can inform and be used by the home gardener. The authors were begging home gardeners to not shy away from the book because the word professional was in the subtitle.)

Richards is of the generation who learned to draw by hand first, and then later the digital revolution came along and he learned how to use computer software to combine the two in his architectural work. The current generation of designers is said to have been taught to go directly to digital rendering. Richards and other professionals highlighted in the book argue that freehand drawing makes designers better designers for multiple reasons. The biggest argument is that sketching by hand as a tactile experience opens up creativity. The power of observation that is honed by sketching regularly, perhaps a small sketch a day, helps train the eye of the artist/designer. One may not know in the moment that the fun sketching that is done is making them a better artist and a more innovative designer, but it is, Richard insists. This is not unlike recommending that writers practice writing (anything) every day to become better writers or saying that photographers should take a ton of (mostly bad) photos to sharpen their powers of observation, to really learn to see, and to improve composition skills.

There are eight chapters and the book circles back at the end to the main point made in the first chapter.

Part One has four chapters that introduce freehand drawing. It starts with an argument and a defense for the good that comes from old fashioned hand drawing to opening up creativity and to sharpen the skills of the artist/designer. Chapter two focuses on simplifying tools and diving in, because doing more with less is better than getting bogged down with too much equipment that is not regularly used. It includes recommendations as to how to sketch a scene on site. Chapter three has sketching tips about how to represent the various items in the landscape (rocks, sky, buildings). Chapter four focuses on perspective, depth, and use of color.

Part Two focuses on urban sketching. Since this is a book for designers of suburban or urban structures, this book focuses on urban spaces (not nature landscapes). In this section the concept of urban sketching is discussed and methods for working to do fast sketches on site are shared. Sketching done in one's private time enhances the professional's work done while on the job. Drawing is play and should not be confined to 9 to 5.

Part Three is the technical part of the book for professional designers. Chapter seven discusses sketching over digital photo bases and options for doing that with various software and computers. Chapter eight is about using a tablet to sketch onto (vs. drawing paper or layers of tracing paper which are later scanned and combined). Chapter nine rounds back to inspiration and creativity urging the artist to collect inspirational pieces to refer to and to draw regularly, as well as how to keep the creative mojo going.

Now for the visual treat: the eye candy: the drawings. I love the large format of this book, it is about 9 x 11 inches in size which provides a large canvas to display the full color sketches and color photographs which are throughout. There are hundreds of sketches here which are inspiring in and of themselves. Most of the sketches are by the author but other designers have shared their sketches and design plans as well (it is nice to see the variety). Some are full page or two on a page, and there are two page spreads. We see the progression of planning from start to finish, because Richards draws on tracing paper which he overlays, then makes a scan and prints a final copy to color for his presentations.

The quality of the paper in this book is also excellent, thick and wonderful. It is hardcover and very sturdy. Although I enjoy eBooks this is the type of book that you want to hold in your hand and view in full size with two page spreads.

Highly recommended for the passionate amateur drawing or sketching artist as well as for professional designers who want to be inspired and who are open to the idea of combining freehand drawing with computer software.

I rate this book 5 stars = I Love It.

Did I say this book was inspiring?

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Senin, 06 Agustus 2012

[G947.Ebook] Download Organizational Consulting: A Gestalt Approach, by Edwin C. Nevis

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Organizational Consulting: A Gestalt Approach, by Edwin C. Nevis

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Organizational Consulting: A Gestalt Approach, by Edwin C. Nevis

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Organizational Consulting: A Gestalt Approach, by Edwin C. Nevis

In this classic text, pioneering organizational consultant Edwin C. Nevis presents an approach to organizational consulting which is grounded in Gestalt theory.� Nevis brings his well-known insight, conceptual clarity and decades of experience to bear on the entire spectrum of concerns facing organizational consultants in a wide variety of settings.

Beginning with the development of the Gestalt approach and the "Cycle of Experience" model, Nevis traces the implications of Gestalt theory for such areas as organizational assessment, modes of influence in organizations, dealing with resistance, developing relationships, working at the boundary�and the matter of the consultant's�presence.�The conceptual framework provided in this groundbreaking work gives organizational consultants a powerful tool for understanding and influencing the behavior of organizations, and at the same time invites them to actively partake in the ongoing development of their unique individual styles. �

  • Sales Rank: #1025438 in Books
  • Published on: 1997
  • Released on: 1997-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .52" w x 6.00" l, .61 pounds
  • Binding: Paperback
  • 228 pages

About the Author
Edwin C. Nevis, Ph.D., has practiced in the field of organizational consulting for over 40 years.� During that time, he served a 13 year term as President of the Gestalt Institute of Cleveland, created GIC Press, authored numerous articles and 4 books, co-founded the journal Gestalt Review, and spent 17 years at the Sloan School of Management at MIT.

Most helpful customer reviews

0 of 2 people found the following review helpful.
Disappointed
By Lean Sensei
Organizational Consulting; A Gestalt Approach is very dry and not an easy read. While some concepts stand out as important in client relationships most of the book is too academic for practical use.

1 of 1 people found the following review helpful.
Powerful stuff, Well presented
By TakomaBaby
Gestalt theory is wide and deep, often conceptually slippery, and difficult to grasp, but it can impact one's life and work in profound and lasting ways. Nevis is certainly one of the masters at applying Gestalt in organizations and this is (so far) his masterwork on the subject. I truly believe that you will benefit from reading this book if you do so reflectively and let it do its "magic" on you.

That said, Gestalt is highly experiential and needs to be learned through the hands, mouth, ears, and eyes. If this book piques your interest, I hope that is only the beginning of your inquiry. A very good next step will be hands-on training.

3 of 3 people found the following review helpful.
Well-written and Useful
By Van Gogh
Nevis' book is thorough look at how Gestalt principles affect organizational consulting. I have not been a student of Gestalt ideas and methods since graduate school in a former life. Nevertheless it provides very good handles and tools for helping organizations learn what they need and to learn ways of acting in the future on their own.

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Kamis, 02 Agustus 2012

[R743.Ebook] Free PDF The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation, by John Kyle Day

Free PDF The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation, by John Kyle Day

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The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation, by John Kyle Day

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The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation, by John Kyle Day

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The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation, by John Kyle Day

On March 13, 1956, ninety-nine members of the United States Congress promulgated the Declaration of Constitutional Principles, popularly known as the Southern Manifesto. Reprinted here, the Southern Manifesto formally stated opposition to the landmark United State Supreme Court decision Brown v. Board of Education, and the emergent civil rights movement. This statement allowed the white South to prevent Brown’s immediate full-scale implementation and, for nearly two decades, set the slothful timetable and glacial pace of public school desegregation. The Southern Manifesto also provided the Southern Congressional Delegation with the means to stymie federal voting rights legislation, so that the dismantling of Jim Crow could be managed largely on white southern terms.

In the wake of the Brown decision that declared public school segregation unconstitutional, seminal events in the early stages of the civil rights movement―like the Emmett Till lynching, the Montgomery bus boycott, and the Autherine Lucy riots at the University of Alabama brought the struggle for black freedom to national attention. Orchestrated by United States Senator Richard Brevard Russell Jr. of Georgia, the Southern Congressional Delegation in general, and the United States Senate’s Southern Caucus in particular, fought vigorously and successfully to counter the initial successes of civil rights workers and maintain Jim Crow. The South’s defense of white supremacy culminated with this most notorious statement of opposition to desegregation. The Southern Manifesto: Massive Resistance and the Fight to Preserve Segregation narrates this single worst episode of racial demagoguery in modern American political history and considers the statement’s impact upon both the struggle for black freedom and the larger racial dynamics of postwar America.

  • Sales Rank: #2437712 in Books
  • Published on: 2015-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .57" w x 5.98" l, .80 pounds
  • Binding: Paperback
  • 250 pages

Review

“The creation and promulgation of the Declaration of Constitutional Principles―more commonly known as the Southern Manifesto―is a key turning point in twentieth-century American political and social history, and yet it is only now that we have a book detailing it. John Kyle Day has provided us a compelling and significant look at the document that more than any other propelled the movement for massive resistance among southern whites in the civil rights era. The Southern Manifesto, Day shows in a clear and concise fashion, provided not only an underpinning for legal opposition to the Supreme Court’s Brown v. Board decision, it also energized southern whites at the grassroots level to suppress civil rights advances, effectively killed racially moderate politics in the South, and substantially reshaped politics on a national level.”

―Michael S. Martin, author of Russell Long: A Life in Politics



“The Southern Manifesto has usually been mentioned in passing rather than studied in depth. John Kyle Day’s splendid book guarantees that it will not be overlooked in future examinations of the mid-twentieth century South. His delineation of the different types of segregationists is penetrating and illuminating; his description of the political pressures on them from constituents is comprehensive and sensitive. Particularly intriguing is his discovery that Southern Democrats in Congress were deeply apprehensive that Brown v. Board of Education would give the Republican Party a wedge issue it could use to break up the Solid South. The Southern Manifesto was an effort to preserve the Democratic Party and their offices as much as a defense of segregation. What Day has accomplished is a classic study of how ordinary politicians struggle to deal with extraordinary, revolutionary moments in history.”

―John Bullion, author of Lyndon B. Johnson and the Transformation of American Politics



“Day not only details the various forces that were essential to the Manifesto’s creation, but he also looks to its impact in terms of southern and, indeed, national politics. Day shows the extent to which neither southern segregationist resistance nor the civil rights movement worked or developed in isolation from one another, but they acted and reacted in ways that had profound effects on their opponents’ strategies and ideologies.”

―George Lewis, University of Leicester

About the Author

John Kyle Day, Monticello, Arkansas, is associate professor of history at the University of Arkansas at Monticello.

Most helpful customer reviews

1 of 2 people found the following review helpful.
The segregationist platform; was it racism or states' rights?
By B. Wolinsky
This 1956 tome on segregation reminds me of Strom Thurmond, portrayed in the book Step by Step as a supporter of a cause that he knew was a failure. The die-hard segregationists knew they were fighting a losing battle, but they stuck by it with typical rebel tenacity. They knew Jim Crow was doomed, but still they wouldn’t budge, even as their platform was collapsing. This book raises the question, not of the racism, but how much of it had to do with southern politicians trying to preserve their sovereignty.

Nobody’s sure who wrote the Southern Manifesto, but that’s not the point. This book gives background information on the document and the people that abided by it as the Civil Rights movement was changing the county. Jim Crow was a doctrine, not a law, so whatever racists laws existed in the South were based on norms and mores. After World War II, segregation began to ebb, as Black troops returned from the war and wouldn’t put up with it. In the industrial cities of New York, Philadelphia, Chicago, and Detroit, Black workers were joining the unions in record numbers, not so much out of equality, but to keep them from becoming strike breakers. Then came increased enrollment of Black army veterans under the GI Bill, and when segregation kept them out, they fought back. Almost all of the changes occurred through peaceful protests, not laws. Brown versus the Topeka BOE was a ruling, it couldn’t change the law. Changing the laws were the result of protests.

Senators Oliver Eastland (Mississippi) and Strom Thurmon (South Carolina) both saw the Brown decision as an intrusion on states’ rights. Even if they had no founded objection to Black and White children attending the same schools, their typical southern sense of honor drove them to fight it right down to the last filibuster. At the same time, they were wary of the bad publicity from the Emmet Till murder.

The issue of whether the anti-integration effort was a result of racism or southern stubbornness will no doubt occupy scholars time for years to come.

0 of 0 people found the following review helpful.
Five Stars
By jojo
Fine product and quick delivery

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